Here are 10 organizational tips to make sure the post-production on your new project will go smoothly and not slow down to mollasses or cost a small fortune:
1) Shoot everything at 23.976fps. OK, except for high frame rates to be used as slow motion.
2) Stick to the same frame size, format, codec, picture profile, LUT as much as possible. Expose properly, strive for consistency.
3) Take the time to set your camera(s) properly so that the same clip name is not repeated at nauseam across days and cameras, no one wants to deal with a gazillions of "Clip0001".
4) Record Time Of Day time code, and jam-sync your cameras and main sound recorder several times a day. Imperative after powering-off, battery swaps, power outages. If that's not possible, use whatever clock your device has, and manually adjust the timing information on each piece equipment so that they are in close proximity. Watch for the pesky 12hrs. difference.
5) Always record proper temp audio (decent signal, not saturated, not garbled) on all cameras. That's another way to sync the footage in post if timecode is missing or wrong. Use a decent microphone on each camera, do listen.
6) Always record PCM uncompressed audio at 48k and at 32bit or 24bit if you your recorder allows it. Else 16bit.
7) There is no need to record 12 tracks of audio when 11 of them are empty. Learn how to use your sound recording equipment and turn off any empty/useless track.
8) Be generous with Preroll and Post roll.
9) Offload your footage with a proper offloading software like Hedge, and keep camera cards structure intact.
10) Organize your footage in folders by day: 2020_01_30, 2020_01_31, and by device/card: A001 (camera A, card 001), A002, B001 (camera B card 001), S001 (sound card 001), etc.
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